Consensus
“Adun in Linda’s Tipi”, 48”x 24”, oil and mixed media, encaustic on linen, 2008
“The Adaptable Black Hat”, 48”x 48”, oil, mixed media and encaustic on linen, 2007
“This hat recalls the time when our ceremonies were banned in Alberta. Our people maintained their culture by using these black unpressed hats to show that we were headdress owners. The government could not arrest us for wearing these hats but they did arrest us for wearing our headdresses. The black hat represents adaptability.” – Linda Many Guns (Blackfoot elder)
“The Ceremony”, 60”x 48”, oil, mixed media and encaustic on linen, 2007
“Animals are our relations. The ceremonies remind us of the contracts the animals made so long ago to come and help us when we need them. We are deeply grateful to them.” – Linda Many Guns (Blackfoot elder)
“The Transfer”, 31”x 21”, oil, mixed media and encaustic on paper, 2007
“New clothes and a new blanket are badges that show you are living a new life.” – Linda Many Guns (Blackfoot elder)
“Prairie Home”, 15”x 43”, oil, mixed media and encaustic on paper, 2007
“My Tipi is medicine. It is strong.” – Linda Many Guns (Blackfoot elder)
“Trade Cloth Dress”, 31”x 21”, oil, mixed media and encaustic on paper, 2006
“Blue and red trade cloth form traditional designs. The style is unique in its practical simplicity.” – Linda Many Guns (Blackfoot elder)
“Adun Mary First Rider in Blanket and Land”, 48”x 36”, oil and mixed media on linen, 2009
“The power of the Sacred lands connects the people, protects all and holds the souls of ancestors”. – Linda Many Guns (Blackfoot elder)
“Adun Mary First Rider”, 24”x 24”, oil and mixed media, encaustic on linen, 2007.
“Adun has been involved with many types of ceremonies her whole life. She is by guide for Motokik knowledge (Buffalo Women’s Society). She has taken me under her wing tohelp me stay on track. She teaches me the Society rules. She is a wise teacher”. – Linda Many Guns (Blackfoot elder)
“Adun, Land and Sky”, 24”x 36”, oil and mixed media, encaustic on linen, 2008
“Adun’s studio visit”, 30”x22”, oil, mixed media and encaustic on paper, 2008
“After a year of working with Linda Many Guns, I had created about 22 paintings and works on paper. I agreed that the elders portrayed in my works could visit my studio and give me permission or not to exhibit the works. Adun was there, dressed in blue, and speaking only in Blackfoot. We ate cakes and drank tea all afternoon. When the five elders got up to leave, they gave me their approval to release the works to the public. Otherwise, I would have put them aside, likely permanently. This was the arrangement between Linda and I, that everything would be done with consultation and respect, that not one item or pattern or pose in the paintings would be done without express permission.” – Teresa Posyniak
“Amber is how I remember”, 48”x 48”, oil, mixed media and encaustic on linen, 2006
“I often dream of my time as a tree. I remember the awareness of life outside my tree space. Time is different, in some ways slower or more of a dense sense of happenings. Time as a tree feels like a state of continuous becoming. I remember well being awakened by the warmth of the sun of my bark and I love to recollect the surge of spring as my sap began to move and how the wind moved my branches. Amber is how I remember the outside world.” – Linda Many Guns (Blackfoot elder)
“Beverly Hungry Wolf Looking Out”, 48”x 36”, oil, mixed media and encaustic on linen, 2008
“Blackfoot people are known by the Blanket they wear and often these have been passed down from one holy person to another holy and they are blessed and sacred possessions.” – Linda Many Guns (Blackfoot elder)
“Beverly Hungry Wolf”, 24”x 24”, oil, mixed media and encaustic on linen, 2008
“Beverly Hungry Wolf is my holy mother. She has Beaver women medicine and has owned a medicine pipe for most of the adult life. She lives traditionally and raised her children and her grandchildren to be traditional. Her faith and understanding in the culture will always guide me.” – Linda Many Guns (Blackfoot elder)
“In Ceremony with Otter”, 48”x 60”, oil, mixed media and encaustic on canvas, 2010
“The Long Time Otter gave one of his children to us to remember our relationship.” – Linda Many Guns (Blackfoot elder)
“Jumping Buffalo”, 48”x 48”, oil, mixed media and encaustic on canvas, 2007
“The tipi design was brought to life from the dream world. In the dream, I was taken to an untouched, open, rolling prairie. Blackfoot Holy People authenticated the dream and gave me directions to create the tipi. The Yellow Buffalo Tipi protects my home and family.” – Linda Many Guns (Blackfoot elder)
“Linda Many Guns and Otter”, 36”x 24”, oil, mixed media and encaustic on linen, 2007
“Otter is playful, tireless and connected to water. Otter is life and energy, strength and power – he is strong medicine. Here where Otter is, there is power. Otter is a leader and he is sacred. It is an honor to be holding Otter. To pray and hold the skin of one of the Long Time Otter’s children is to be as close to the Creator as you can be. The fur is thick and black as night.” – Linda Many Guns (Blackfoot elder)
“Linda Many Guns in Humble Dress and Blanket”, 48”x 24”, oil, mixed media and encaustic on linen, 2007
“This Hudson’s Bay blanket is a gift from my holy husband. Blankets provide protection and often because they are worn in ceremony they have red ochre paint smudges. We sit on blankets in holy places.” – Linda Many Guns (Blackfoot elder)